by Micki Tschur, 2012, Madonna Salt and Pepper Shakers

EVIL IS INTERESTING
Curated by Michael Workman/Antidote Projects

Closing Reception Friday April 20 from 7pm-10pm

Featuring work by Frank Pollard, Mike Lenkowski, Lorna Mills, Sarah Weis, Bill Talsma, Elizabeth Suter, Jody Oesterreicher, Micki Tschur, Sarah Legow, Industry of the Ordinary, Holly Streekstra, Samantha Ocasta, Jeffrey Grauel, Tony Kapel, Computers Cult, Maitejosune Urrechaga and others.

False Love 'zine with texts by AA Bronson, Michael Workman, Dan Gleason and others.

Live theatrical performances starting at 8:30pm. Performances will be videotaped and archives in the exhibition.

See a review in NEW CITY: http://art.newcity.com/2012/03/27/review-evil-is-interestingantena-gallery/

See a review in the CHICAGO WEEKLY: http://antenapilsen.blogspot.com/2012/04/vile-attraction.html

Antena
1765 S. Laflin, St.
Chicago, IL 60608
antenapilsen (at) gmail.com
Hours: by appointment
(773) 340-3516

EXHIBITION STATEMENT

"Fascism … also stands for an ideal or rather ideals that are persistent today under the other banners: the ideal of life as art, the cult of beauty, the fetishism of courage, the dissolution of alienation in ecstatic feelings of community; the repudiation of the intellect; the family of man (under the parenthood of leaders)." –Susan Sontag, Fascinating Fascism

This exhibition interrogates the seductiveness and glamour of evil. Evil, after all, is adept at projecting a certain kind of charm. We cherish the antics of our TV and motion picture villains in all their insouciant brutality and eroticized violence. But evil can also exert a subtle charm in the allure of its ability to feign a release from life's problems. Accepting the Faustian bargain of evil offerings requires a willingness to enter into a complicity with that evil, and to sacrifice the ideals of the "good life" that we aspire to. It is arguable that consenting to evil is always an intimate choice, with the goal of manipulating its victims into rejecting their own self-worth and, in consequence, to giving away control over the direction of their own life-course, now subsumed in service to evil. This can take place on the level of an intimate personal relationship, as in the instance of a rakish seduction, or on the level of an entire culture, as the history of fascism has shown.

Borrowing from a diverse range of artists from Filippo Marinetti, Rirkrit Tiranamija, Yves Klein and Wyndham Lewis, the exhibition space will be converted into a domestic backdrop against which objects, activities and more will form a totalized artistic environment. Visitors will be invited to interact with this environment while performances are conducted in the manner of a teatro totale. The question of the allure of evil will be interrogated both in objects that compose the environment, in performances both interactive with the audience, and in those acted out as if no audience were present. Video documentation of these performances will be presented following their presentation, and presented thereafter as a documentary component of the exhibition.

ABOUT ANTIDOTE PROJECTS

ANTIDOTE is a roving, independent curatorial and exhibition platform co-founded by Michael Workman and Berlin-based sculptor Edouard Steinhauer in 2009. Conceived as an occasional project-based initiative, ANTIDOTE does not take on artists for career representation, preferring instead a collaborative approach to the cultivation of unconventional formal approaches to audience engagement. ANTIDOTE serves as an independent curatorial platform to advocate for and disseminate the works of underrepresented artists, specifically through special presentations and exhibitions at art fairs, publications, educational programming, and other nontraditional forms of curatorial programming, with an aim to exploring unorthodox distribution systems for disseminating artist's works. ANTIDOTE only showcases artists who have been carefully selected for visual work that consistently centers on the development of intricate imaginative world or system-based constructions, dematerialization of traditional forms, and/or whose work otherwise counters the purely object-based approach to art-making. As such, often these artists have been overlooked by the art world, since their approach often problematizes the conventions of or confounds audience expectations surrounding the industry's cultivated preference for traditional object-based modes.

See a review in NEW CITY: http://art.newcity.com/2012/03/27/review-evil-is-interestingantena-gallery/
See a review in the CHICAGO WEEKLY: http://antenapilsen.blogspot.com/2012/04/vile-attraction.html

ANTIDOTE Facebook fan page:
http://www.facebook.com/pages/ANTIDOTE/300834580422?sk=wall

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photo by Paul Germanos

A Vile Attraction

By Jon Brozdowski

April 4, 2012
From The Chicago Weekly

My companion Chris sits at a decade-old computer adorned with a webcam and surrounded by eight ornate red candles, patiently reading a blog post linked from the desktop: “Born like this / Into this / As the chalk faces smile / As Mrs. Death laughs / As the elevators break / As the political landscapes dissolve / As the supermarket bag boy holds a college degree.” He looks down at an odd assortment below the desk, where a large plastic chain link rests on a Macbook, next to prescription bottles, thick grey rubber gloves, and a condom on a tall metal eggcup. “Oops.” He turns up to me and says, “There’s some fake blood on my shoe.”


“Evil is Interesting,” on view at Pilsen’s Antena gallery, professes to “interrogate the seductiveness and glamour of evil.” Michael Workman and Antidote Projects curated the project, which features film, installation art, and interactive pieces by twelve local artists.


Evil does tend to intrigue us: its je-ne-sais-quoi makes it a subject for popular exploration and multivalent interpretation. Its high visibility in modern life has made the idea of evil pack a smaller punch, lose a bit of its taboo, and become somehow charming, Workman suggests.


One installation displays a computer screen repeating Google searches over and over: “loud evil laugh,” “I think I am evil,” “Evel Knievel is dead,” and “my puppy is evil.” However, the pieces that consider suffering, or the display of instruments of evil, like the baseball bat slowly revolving while hanging low from the ceiling, work to dispel the notion that evil has any kind of innocent charisma.
Workman calls the exhibition a concept album in “a totalized environment… between the context of the space itself, all the various different media, videos, net art, the play, a music soundtrack, and the zine.” Due to technical difficulties (perhaps an unintended form of evil), the zine in question is not yet available, and the play’s loose script has yet to be released in print.


The 40-minute dramatic performance, titled “A Conversion,” was set in the gallery space, centered on a red couch, a red carpet, a black coffee table, and a blue dining table. According to Workman, the play is in that “60s, 70s vein of experimental theatre,” with improvised dialogue. The organic veracity of the production is accomplished by its actors’ off-the-cuff and intimate delivery.


The play concerns four characters, each defined by their jobs: Vivian the artist, Ellie the poet, Joyce the sex worker, and Gavin the hedge fund manager. Each offers a take on evil—Vivian attempts to grapple with the actions of her brother, a soldier who killed an unarmed civilian while deployed in Afghanistan. In his defense, Vivian declares that she’s ”trying to tell you this fucked up thing that happened because of the situation he was in, not because of him. All he was doing was doing his job.”


Workman explained, “The brother’s done something that ostensibly is evil, but in service of a better world.” The artist and actress Sarah Weis, who contributed the candle and computer piece and played Vivian, said, “I think she’s the most empathetic of the characters, and also… the most human, and in a way the weakest.”  The central concern of the play seemed to be the characters’ confrontations with the evil in themselves, their jobs, and their lives.


To facilitate this interaction, the script calls for one character to pause in the middle of a sex scene to “address the audience to tell them that she loves them, all the members of the audience the same way, as if they were inside her, too.”


A collection of silent films also works its way into the show.  In “The Language of the Enemy,” Zolten Gera narrates his experience being abused in prison through subtitles, cast over a montage of disembodied hand signs and gestures. In another piece, “Modern Romance,” a woman fidgets in front of the camera while a man describes a “brutal seduction,” once again via subtitles.


Throughout the exhibition, Workman pursued a “narratological” comment on how people interact with evil in their lives. “As the curator I’m saying we’ve built in this ambiguity with [evil], but more importantly, the focus is… the seductiveness of it,” he explained. The exhibition examines inner conflict, moral ambiguity, and where the two intersect with what is seen as evil, perverse, and threatening. At the end of the not-so-cohesive message, it’s unclear if we ought to be disturbed by evil’s prevalence, or entertained by its kitsch.


Antena, 1765 S. Laflin St. Through April 21. Hours by appointment. Free. (773)340-3516. antenapilsen.com. An encore performance of the play is planned for Friday, April 20 at 6:00

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EVIL IS INTERESTING
Curated by Michael Workman/Antidote Projects

Opening Friday March 23 from 6pm-10pm
March 23 - April 21

Featuring work by Frank Pollard, Mike Lenkowski, Lorna Mills, Sarah Weis, Bill Talsma, Elizabeth Suter, Jody Oesterreicher, Micki Tschur, Sarah Legow, Industry of the Ordinary, Holly Streekstra, Samantha Ocasta, Jeffrey Grauel, Tony Kapel, Computers Cult, Maitejosune Urrechaga and others.

False Love 'zine with texts by AA Bronson, Michael Workman, Dan Gleason and others.

Live theatrical performances starting at 8:30pm. Performances will be videotaped and archives in the exhibition.

Antena
1765 S. Laflin, St.
Chicago, IL 60608
antenapilsen (at) gmail.com
Hours: by appointment
(773) 340-3516

EXHIBITION STATEMENT

"Fascism … also stands for an ideal or rather ideals that are persistent today under the other
banners: the ideal of life as art, the cult of beauty, the fetishism of courage, the dissolution of
alienation in ecstatic feelings of community; the repudiation of the intellect; the family of man
(under the parenthood of leaders)." –Susan Sontag, Fascinating Fascism

This exhibition interrogates the seductiveness and glamour of evil. Evil, after all, is adept at
projecting a certain kind of charm. We cherish the antics of our TV and motion picture villains
in all their insouciant brutality and eroticized violence. But evil can also exert a subtle charm in the allure of its ability to feign a release from life's problems. Accepting the Faustian bargain of evil offerings requires a willingness to enter into a complicity with that evil, and to sacrifice the ideals of the "good life" that we aspire to. It is arguable that consenting to evil is always an intimate choice, with the goal of manipulating its victims into rejecting their own self-worth and, in consequence, to giving away control over the direction of their own life-course, now subsumed in service to evil. This can take place on the level of an intimate personal relationship, as in the instance of a rakish seduction, or on the level of an entire culture, as the history of fascism has shown.

Borrowing from a diverse range of artists from Filippo Marinetti, Rirkrit Tiranamija, Yves Klein
and Wyndham Lewis, the exhibition space will be converted into a domestic backdrop against which objects, activities and more will form a totalized artistic environment. Visitors will be invited to interact with this environment while performances are conducted in the manner of a teatro totale. The question of the allure of evil will be interrogated both in objects that compose the environment, in performances both interactive with the audience, and in those acted out as if no audience were present. Video documentation of these performances will be presented following their presentation, and presented thereafter as a documentary component of the exhibition.

ABOUT ANTIDOTE PROJECTS

ANTIDOTE is a roving, independent curatorial and exhibition platform co-founded by Michael Workman and Berlin-based sculptor Edouard Steinhauer in 2009. Conceived as an occasional project-based initiative, ANTIDOTE does not take on artists for career representation, preferring instead a collaborative approach to the cultivation of unconventional formal approaches to audience engagement. ANTIDOTE serves as an independent curatorial platform to advocate for and disseminate the works of underrepresented artists, specifically through special presentations and exhibitions at art fairs, publications, educational programming, and other nontraditional forms of curatorial programming, with an aim to exploring unorthodox distribution systems for disseminating artist's works. ANTIDOTE only showcases artists who have been carefully selected for visual work that consistently centers on the development of intricate imaginative world or system-based constructions, dematerialization of traditional forms, and/or whose work otherwise counters the purely object-based approach to art-making. As such, often these artists have been overlooked by the art world, since their approach often problematizes the conventions of or confounds audience expectations surrounding the industry's cultivated preference for traditional object-based modes.

ANTIDOTE Facebook fan page:
http://www.facebook.com/pages/ANTIDOTE/300834580422?sk=wall

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Transmission: Oak Cliff
New work by artists from Antena

Opening Reception 6-9 pm March 10, 2012
March 10 - April 22, 2012

Artists:
Saul Aguirre
Adriana Baltazar
Miguel Cortez
Antonio Martinez
Amelia Winger-Bearskin

Mighty Fine Arts is proud to showcase artwork by artists from Antena, a contemporary art space located in Chicago’s Pilsen neighborhood.

Saúl Aguirre is a Chicago based multidisciplinary artist/curator born in Mexico City. He studied at the School of the Art Institute of Chicago. Aguirre is has been a continuous contributor and collaborator with Antena and the defunct Polvo. Aguirre’s recent performances have captivated the viewers for the dramatic slow movements to portray his response to social issues; his paintings reflect the relationship we encounter with society and the problems we face manipulating images that are not to be expected. He has exhibited in Gallery 414 in Fort Worth, Texas; Center for Book and Paper Arts at Columbia College, Chicago; Escuela Superior de Educacion Artistica, Huaraz, Peru; He has been considered a standout at NEXT 2010 Chicago by Pedro Velez who is an artist and critic living in Chicago. His work is on these public collections Casa de Cultura Calles y Sueños, Juchitan, Oaxaca, México; Escuela Superior de Formación Artística, ANCASH-Huarz Perú. http://www.saulaguirre.com

Adriana Baltazar is a multidisciplinary artist living and working in Chicago. She has worked in various collaborative projects as well as shown work in galleries throughout the city. She draws her inspiration from the conflicts and comprimises that arise in our relationships with the "other" and our love/hate relationship with the natural environment. She received a BFA from the School of the Art Institute of Art Institute. http://adrianabaltazar.com

Miguel Cortez is an artist/curator living in Chicago and born in Guanajuato, Mexico. He has studied filmmaking at Columbia College and art at the School of the Art Institute of Chicago. He currently runs Antena, an alternative art space located in Chicago's Pilsen neighborhood. His artwork has been shown at Gallery 414 in Fort Worth, Texas, at the Krannert Museum and at the National Museum of Mexican Art in Chicago. Other shows included exhibits in Dallas at Mighty Fine Arts Gallery, Glass Curtain Gallery and at VU Space in Melbourne, Australia. http://www.mcortez.com

Antonio Martinez is a painter, one who is not afraid to move away from a particular style he is known for producing. One willing to venture in a different direction and flex his creative muscle. He is a full time painter and a full time plumber. He draws much of his inspiration from the everyday disparities he has witnessed in both roles. Antonio was born in 1978 in Chicago. He studied at The American Academy of Art, Chicago in 2000. In 2002 & 2003 he traveled to Austria to study at the International Summer Academy of Fine Arts in Salzburg. He has collaborated on several public works projects and murals in the Little Village and Pilsen neighborhoods of Chicago. He instructed in youth art classes for various arts organizations in Chicago. In 2010 he co-founded Cobalt Studio, a production and exhibition space located in Chicago.

Amelia Winger-Bearskin is an assistant professor of art at Vanderbilt, where she teaches video and performance art, as well as new and interactive media. Her undergraduate studies were in opera and performance art, her MFA is in time based media art (transmedia) from the University of Texas in Austin, 2008. She was in the group show Art in the Age of the Internet at the Chelsea Art Museum in 2007 and was a featured video and performance artist at Basel in Miami, Scope at the Lincoln Center and other art fairs consistently since 2007 as an artist at large for the perpetual art machine [PAM]. She has concentrated her live performance since 2009 on Asian Performance Art Festivals, performing live in the Philippines, South Korea and China as there is a unique support structure for performance that she wishes to study in hopes to bring similar structures in place in the USA. For more info: http://studioamelia.com/

-----------------
Mighty Fine Arts is an artist-run gallery located in the scenic and historic Oak Cliff neighborhood of Dallas. Artist Steve Cruz started the gallery in June of 2004 with the intention of providing an alternative space for innovative and underrepresented artists. MFA presents an eclectic array of shows with the guiding criteria of presenting work that is resonant, thoughtful and highly accomplished. From mid-career to fresh and unknown artists, MFA hopes to enlarge the perceptions of contemporary art in North Texas.

Mighty Fine Arts
419 N.Tyler (between 8th and Davis St.)
Dallas, Texas
Gallery hours are 12:00 to 5:00 Saturday and Sunday or by appointment:
phone 214-942-5241.
http://www.mfagallery.com

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Short Court: Tropical Aesthletics

Curated by Tag Team 

February 10 - March 10, 2012


Opening Friday February 10 from 6pm-10pm


Prepare for fun in the synthetic sun at Short Court: Tropical Aesthletics!
A sporting event and painting exhibition all in one! HOT!HOT!HOT!


This collision of spectacles has it all:
* Attendees can challenge a pair of professional volleyball players
for the chance to WIN $100!
* Chicago's best painters will display event-specific works on the
walls surrounding the court!
*!Muy Caliente!  Imbibe exotic tropical beverages from the Cabana!
*!Muy Caliente! DJ set by wurkstep pioneers SICH MANG!
*!Muy Caliente! Sun Lamps, Palm Trees, Coastal Wildlife, Sun Block, and Sand!
The sandy lines dividing spectators, artists, and athletes will be
smoothed over by all feet that make their way to this one night event
at Antena.
Painters include: Adam Farcus, Adam Grossi, Alberto Aguilar, Alex
Bradley Cohen, Angeline Evans, Brian Wadford, Caroline Carlsmith, Cory
Glick, Edra Soto, EC Brown, Irene Perez, Jeriah Hildwine, Jim
Papadopoulos, Kevin Jennings, Nicole Northway, Pamela Fraser, Philip
von Zweck, Thad Kellstadt, Vincent Dermody


ANTENA
1765 S. Laflin St.
Chicago IL 60608
www.antenapilsen.com
antenapilsen (at) gmail.com
(773) 340-3516
Hours: by appointment only

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VERGE ART MIAMI BEACH AT THE GREENVIEW HOTEL

1671 Washington Avenue @ 17th Street
December 1-4, 2011

PUBLIC HOURS
Thursday, Friday & Saturday, 2 - 3 December, Noon to 10 pm

Sunday, 4 December, Noon to 6 pm


OPENING NIGHT PARTY 
Thursday, 1 December, 2011, 6:00 pm to 10pm

Artists showing in the Antena room: Saul Aguirre and Miguel Cortez

TOMORROW'S ART TODAY: THE THIRD ANNUAL VERGE ART MIAMI BEACH
Coming Thursday, December 1, Verge Art Miami Beach invites you to experience the finest, freshest work on display in Miami Beach by living artists. Unstunted by the blue-chip rehash of a stale market, VERGE breaks away from the false quality of name recognition art to reach for something new and cutting edge. Verge Art Miami Beach is proud to host a list of exhibitors that includes international and national gallery exhibitors, and more than fifty artists for "The Drawing Show" and "Tomorrow Stars." Chosen by a distinguished panel of jurors, "Tomorrow Stars" represents the brightest and best by artists from around the globe, as selected by Meg Duguid, Clutch Gallery Director and Cultural Grants Coordinator for the Chicago Office of Tourism and Culture, Michael Thomas, Dogmatic Gallery co-founder and sitting member of the Visual Arts Committee for the Chicago Cultural Center, Patrick Collier, artist and critic for PortlandArt.net and ultraPDX.com, and VERGE owner Michael Workman. Don't miss out on this opportunity to own the work of tomorrow's stars today!



GALLERY EXHIBITORS

ANTIDOTE, Brooklyn, NY, and Chicago, IL, Astro Space Party, Chicago, IL, Visual Cocaine, Berlin, Germany, Friend Party Enterprises, Berlin, Germany, Antena Gallery, Chicago, IL, Van Brabson Gallery, Minneapolis, MN, Diane Birdsall Gallery, Old Lyme, CT, Byrne Art Portfolio, Merion Station, PA, McGowan Projects, London, UK, Peters Art Projects, Chicago, IL, PURE LUCK, Brooklyn, NY, Vortex Enters Void, The Muldives, Dhivehi, Klaus Gerdes Projects, New York, NY.



TOMORROW STARS

Chizuco Sophia Yw, "Propogate-G," Brooklyn, NY, Emi Brady, "Convergence," Brooklyn, NY, Fanny Allié, "My Town is Gone," Brooklyn, NY, Jay Paavonpera, "Front St. / Gold St.," Brooklyn, NY, Eve Lateiner, "Untitled," New York, NY, George Goodridge, "Number Twenty, Vertebrate Companion Series," Miami FL, Adrienne Outlaw, "How to Mistake Your ____ For a ____," Nashville, TN, Michael Iauch, "Giving of Myself," Brevard, NC, Jordi Williams, "Artificial Plantlet Array," Richmond, VA, Josafat Miranda, "Lover," Ft. Lauderdale, FL, Cindy Mason, "I will give you what you do(n't) want," St. Petersburg, FL, Alice Raymond, "Mise plat 5," Biscayne Park, FL, Jovan Karlo Vilalba, "A Dawn Perched on Downbursts," Miami, FL, Mare Vaccaro, "Valor," Lexington, KY, Horst Josch, "Against the Odds #4," Meerbusch, Germany, Francesco Vizzini, "On the Trunk," Brooklyn, NY, Marita Contreras, "Death2," St. Pete Beach, FL, Michael Harris, "Seven Island Way," Weston, FL, Romy Maloon, "Birthing," Marietta, GA, Melissa Maddonni Haims, "Hell," Philadelphia, PA.

THE DRAWING SHOW

Monica Rezman, "Hairpiece 30," Chicago, IL, Jordan West, "My Desires Are Not Easily Controlled," Santa Fe, NM, Danielle Wyckoff, "Horizon (we are each others' fates)," Athens, OH, Catherine Lane, "Figure With Guns," and "Figure With Deer," Toronto, Ontario, Canada, PST, "Rape Dream", Chicago, IL, Stefan Haase, "p016," Berlin, Germany, Alice Raymond, "Cloche," Biscayne Park, FL, Charmaine Ortiz, "Graphite Spill (Aquatic)," Carolina Beach, NC, Erin Whitman, "Projections: Gojira," Eureka, CA.

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Art Sale for Antena @ VERGE ART FAIR



Friday November 18 from 6pm-10pm



Antena will participate in this December's Verge Art Fair in Miami and we are having an art sale to raise funds to pay for necessary expenses. We will have affordable art by Miguel Cortez, Saul Aguirre and others.

For more info on Verge Art Fair: http://www.miamibeachartfair.com/miamibeachmain.html



ANTENA

1765 S. Laflin St.
Chicago, IL 60608
http://www.antenapilsen.com/

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